09 ottobre, 2006
Conferenza: STS, Vancouver, Canada, Novembre 2006
2006 ANNUAL MEETING
Society for Social Studies of Science
November 1-5, 2006
The Empire Landmark
Vancouver, B.C, Canada
“SILENCE, SUFFERING AND SURVIVAL”
Il programma disponibile sul sito della 4S
Ecco alcune sessioni che riguardano tecnologie musicali:
2.3A – MUSIC AND THE TECHNOLOGIES OF REMIXING
Organizers: Tarleton Gillespie, Cornell University and Trevor Pinch, Cornell University
Chair: Tarleton Gillespie
Reconsidering the Historical Origins of the Remix: Motion Picture
Projectionists in America, 1927-1930
Emily Thompson, Princeton University
Retooling the Mix: Software and the Mode of Music Production
Paul Théberge, Carleton University
Online Music: Who are the Users and What is the Use?
Trevor Pinch, Cornell University
The Structures of Authorship in Technology, Law, and Digital Culture D.
Tarleton Gillespie, Cornell University
Discussant: Jonathan Sterne, McGill University
1.4I – SOCIALITY AND SELVES [NEW MEDIA]
Chair: Nancy Van House, University of California, Berkeley
New ways to socialize: the life and times of LiveJournal
David Gibson, IBM Almaden Research Center
Taking a Walk in a Virtual World: The Value of Second Life
Jonathan Stern, UCSD, Department of Sociology
Practices and strategies to stop silence through artifacts. The co-construction
of musical devices and users in the everyday life
Paolo Magaudda, University of Padova (Italy)
The Social Life of Personal Photos: New Media, New Meanings
Nancy Van House, University of California, Berkeley
2.2I – MUSIC [NEW MEDIA]
Chair: Matthias Rieger, University of Hannover, Germany
Silencing Sounds.How the science of sound made musicians speechless by
the end of the nineteenth century
Matthias Rieger, University of Hannover, Germany
Herbert Brün: Formalism and Feedback in Composition
Peter Asaro, Austrian Academy of Sciences
A Concise History of the San Francisco Tape Music Center
Thomas M. Welsh, Elision Fields
New Media and New Black Identities
Daniel Kreiss, Stanford University
Society for Social Studies of Science
November 1-5, 2006
The Empire Landmark
Vancouver, B.C, Canada
“SILENCE, SUFFERING AND SURVIVAL”
Il programma disponibile sul sito della 4S
Ecco alcune sessioni che riguardano tecnologie musicali:
2.3A – MUSIC AND THE TECHNOLOGIES OF REMIXING
Organizers: Tarleton Gillespie, Cornell University and Trevor Pinch, Cornell University
Chair: Tarleton Gillespie
Reconsidering the Historical Origins of the Remix: Motion Picture
Projectionists in America, 1927-1930
Emily Thompson, Princeton University
Retooling the Mix: Software and the Mode of Music Production
Paul Théberge, Carleton University
Online Music: Who are the Users and What is the Use?
Trevor Pinch, Cornell University
The Structures of Authorship in Technology, Law, and Digital Culture D.
Tarleton Gillespie, Cornell University
Discussant: Jonathan Sterne, McGill University
1.4I – SOCIALITY AND SELVES [NEW MEDIA]
Chair: Nancy Van House, University of California, Berkeley
New ways to socialize: the life and times of LiveJournal
David Gibson, IBM Almaden Research Center
Taking a Walk in a Virtual World: The Value of Second Life
Jonathan Stern, UCSD, Department of Sociology
Practices and strategies to stop silence through artifacts. The co-construction
of musical devices and users in the everyday life
Paolo Magaudda, University of Padova (Italy)
The Social Life of Personal Photos: New Media, New Meanings
Nancy Van House, University of California, Berkeley
2.2I – MUSIC [NEW MEDIA]
Chair: Matthias Rieger, University of Hannover, Germany
Silencing Sounds.How the science of sound made musicians speechless by
the end of the nineteenth century
Matthias Rieger, University of Hannover, Germany
Herbert Brün: Formalism and Feedback in Composition
Peter Asaro, Austrian Academy of Sciences
A Concise History of the San Francisco Tape Music Center
Thomas M. Welsh, Elision Fields
New Media and New Black Identities
Daniel Kreiss, Stanford University